Stranger Things
An illustrated poster series that combines characters, atmosphere, and story clues in a single composition. Kyle explains how the visual language developed across seasons.
Hear the story at 31:40 on YouTube (opens in a new tab)
Film & television illustration
Movie-poster storytelling, painted one detail at a time.
A Cosmic Sans guest profile · By Howard Pinsky

Behind the work
Kyle Lambert is an illustrator known for the Stranger Things poster series. His route into entertainment artwork began with a love of drawing and movies, followed by digital portraits that demonstrated what an iPad could do as an art tool.
His highly detailed Morgan Freeman painting brought attention to his digital work. A poster for Super 8 became another turning point: Kyle tells Howard that Netflix and the Duffer Brothers each approached him after seeing it, opening the door to Stranger Things.
His process moves between Procreate and Photoshop. He draws on the iPad, builds and paints large compositions on the desktop, and adjusts texture, lighting, and color to suit the story. A recognizable style, in his account, is a recipe he can keep changing.
Based on Kyle Lambert’s interview with Howard Pinsky. Career details reflect the conversation.
A closer look
An illustrated poster series that combines characters, atmosphere, and story clues in a single composition. Kyle explains how the visual language developed across seasons.
Hear the story at 31:40 on YouTube (opens in a new tab)An early movie-poster opportunity became a bridge from digital portraits to entertainment campaigns—and the work that helped bring Stranger Things his way.
Hear the story at 26:29 on YouTube (opens in a new tab)A chance to shift his visual recipe toward bright colors, softer lighting, and an adventurous mood.
Hear the story at 1:10:09 on YouTube (opens in a new tab)On Cosmic Sans · 1:33:45
A conversation with Howard Pinsky, with chapter links, key takeaways, and a readable transcript.
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